Hockley-cum-Meston
Also Hockley
The rival village, full of blacksmith-sized men.
In each book 2 books
- In Very Good, Jeeves
The rival village, full of blacksmith-sized men. - In Stiff Upper Lip, Jeeves
The village where Plank lives and is building a Rugger side, and whose vicarage goes to Stinker.
Connections
dealings
- has as vicar Mr. Bellamy 1
Inside it
Talked about, but not there
Very Good, Jeeves 5 scenes
- Tuppy says he is playing for Upper Bleaching to please Miss Dalgleish, and Jeeves reports the servants' view that the match is more a brawl than a game.Chapter 11, Bertie's room at Bleaching Court
- Bertie urges Tuppy to fake a sprained ankle, but Tuppy, declaring this is true love, is all the keener to shine before his lady.Chapter 11, Tuppy's room, as
Hockley
- Bertie reflects on the bitter feud between the two villages and the ghoulish relish for Thursday's game.Chapter 11
- Bertie and Jeeves draft a fake telegram from Dahlia Travers saying Angela is seriously ill and calling for Tuppy, to arrive at two-thirty mid-match.Chapter 11, Bleaching Court
- Tuppy is flattened over and over by the red-haired man, Bertie finds he has left the telegram in his other coat, and Tuppy turns tiger, crocks his tormentor and scores the winning try.Chapter 11, the football-field
Stiff Upper Lip, Jeeves 4 scenes
- After Emerald Stoker's excellent lunch Bertie, going to his car, calls Stiffy a female Upas tree, and Jeeves suggests asking at the post office where Plank lives.Chapter 10, Totleigh Towers
- At the Hockley-cum-Meston post office the old lady behind the counter tells Bertie that Plank is up at the big house with the red shutters.Chapter 10, the post office
- Plank, a Rugger-mad explorer, takes Bertie for a Daily Express reporter, and when Bertie produces the statuette and asks for five pounds he threatens to call the police, just as Jeeves comes in through the french window.Chapters 10–11, Plank's house
- Back in the drawing-room Bertie ponders how to approach Pop Bassett about the statuette when Spode comes in.Chapters 17–22, the Totleigh drawing-room