The Wooster Papers

Places, in Rowcester Abbey

the ruined chapel

Also ruined chapel, a chapel

The Abbey's ruined chapel, haunted by Lady Agatha, where Jeeves took Mrs Spottsworth ghost-hunting during the theft.

Connections

dealings

Talked about, but not there

  1. Bill and the Carmoyles argue over whether Mrs Spottsworth will buy the Abbey, Rory tells Bill the police and a mystery man have been asking about his car, and Jeeves announces Mrs Spottsworth.Chapters 6–7, the living room, as a chapel
  2. Ellen announces a Captain Biggar; Mrs Spottsworth, thrilled to find an old friend, gets Monica to invite him to stay, and Monica's triumphant news turns Bill green.Chapter 7, Rowcester Abbey
  3. Jill coldly questions Bill about his Cannes intimacy with 'Rosie' Spottsworth, leaves to fetch her things for the night with a pointed remark, and Bill grumbles to Jeeves about women and snubs his Aunt Emily.Chapter 9, the living room, as ruined chapel
  4. Monica finds Bill tearing his hair and packs him off to the ruined chapel to charm Mrs Spottsworth into buying the house, and he goes, seeing a deposit as his way out of the Biggar menace.Chapter 9, the living room, as ruined chapel
  5. In the moonlit garden Mrs Spottsworth all but invites Captain Biggar to propose, the code keeps him tongue-tied until Bill interrupts, and Biggar listens in disgust as Bill coos to her.Chapter 10, the garden
  6. With the abbey asleep, Jeeves comes to the sleepless Bill with a plan: he borrows Mrs Spottsworth's smelling salts on the pretext that Bill has fainted at the sight of Lady Agatha's ghost, so that she will hurry to the ruined chapel and leave her room free.Chapter 15, the Henry VIII Room
  7. Jeeves tips Ballymore, tells Rory and Monica that Jill has broken off with Bill, Rory's tactless consolation enrages Monica, and Jeeves advises the despairing Bill to repay Mrs Spottsworth for the pendant by selling her Rowcester Abbey.Chapter 18, Jeeves's pantry
  8. Jeeves, carrying the champagne through the living room, meets Jill coming in through the french window.Chapters 18–21, the living room, as ruined chapel